A Chicken In Every Pot

A Chicken In Every Pot

Next Thing Co. Releases "World's First" $9 Comput…: https://youtu.be/XkfBWAJ7kbI

For full details and a gallery of images: http://makezine.com/2015/05/07/next-thing-co-releases-worl

This month, Waywords and Meansigns, a project co-founded by Derek Pyle, has released its version of …

This month, Waywords and Meansigns, a project co-founded by Derek Pyle, has released its version of the novel with each of its 17 chapters performed by a different group of musicians and readers. The full text is represented here in a staggering 30+ hours.

James Joyce’s final and most difficult novel Finnegans Wake unlocks a lot of its secrets when read aloud, preferably in an Irish accent. In this way, Joyce’s multilayered wordplay makes sense aurally even if all the meaning might not be apparent on paper.

DRM, What Is It Good For? Absolutely Nothing. Say It Again.

DRM, What Is It Good For? Absolutely Nothing. Say It Again.

Everyday is a #DayAgainstDRM +LibriVox Audio Books​ +GOG.com – DRM-Free Games​ +Project Gutenberg​ +Downpour.com​ 

Welcome to the guide to living DRM-free. Please submit corrections and new items for the guide by adding it to the LibrePlanet wiki (you will need to register and login first) or emailing us at info@defectivebydesign.org. If you are involved with a DRM-free media project, we encourage you to use …

Center for Computer History

Center for Computer History
Lots of hands on with a diverse range of rigs with a focus on getting people involved with learning by doing …yep this would be a dream job.

Video tour of the Centre for Computing History in Cambridge. Assistant Curator Jeremy shows us their

Rescuing Mozart

Rescuing Mozart
When you sit thru a great playing of music it is awe inspiring. When you sit thru a bland toned down rendition you can almost imagine John Lydon on stage asking you about your feelings on being cheated.
Safe, sanitised and snooze producing performances plauge music of all types.
Just say no.

Teodor Currentzis is recording Mozart’s Da Ponte operas in grueling sessions in Perm, a Russian town better know for prison gulags that soaring oratorios. It’s part of his rejection — if not hatred — of the norms of the classic music scene.